Renowned composer AR Rahman has addressed recent criticism from playback singer Abhijeet Bhattacharya, who accused him of over-relying on technology and marginalizing live musicians. Abhijeet alleged that Rahman’s approach has diminished the role of traditional instrumentalists, leading to a music industry dominated by digital tools.
In response, Rahman expressed his affection for Abhijeet and acknowledged his right to an opinion. He highlighted his commitment to live music, citing the formation of an all-women orchestra in Dubai and collaborations involving hundreds of musicians in projects like ‘Chhaava’ and ‘Ponniyin Selvan’.
Rahman emphasized that digital tools are used to enhance creativity, not replace live performers. He explained that computers assist in designing harmonies and structures, but the final recordings are always done live. He also mentioned that he doesn’t publicize these collaborations, which might lead to misconceptions.
Looking ahead, Rahman is set to embark on his global tour, ‘Wonderment’, with the premiere show scheduled in Mumbai on May 3.
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This exchange underscores the ongoing debate in the music industry about the balance between technological innovation and traditional artistry.
