Diljit Dosanjh’s horror-comedy Sardaar Ji 3, which skipped its India release due to political tensions, has been embraced across the border. Released in Pakistan on June 27, it drew packed theatres and earned an estimated $500,000 on its opening day—the highest ever for an Indian film in Pakistan.
Diljit shared enthusiastic clips on his Instagram from cinemas like Cinegold Plex and Universal Cinemas, showcasing thrilled audiences celebrating the film with cheers and applause. The videos spotlight the energy surrounding 12 ultra-screen shows, clearly capturing how well the movie was received.
However, back in India, the film sparked controversy because of collaborator Pakistani actress Hania Aamir. Following the April 22 Pahalgam terror attack and heightened India–Pakistan tensions, industry bodies like FWICE urged a ban on such films.
The backlash was swift: many fans and social media users labeled Diljit a “traitor” and called for boycotts. Some even demanded removal from future projects like Border 2 and suggested he should lose Indian citizenship. High-profile artists also spoke out—singer Mika Singh dubbed him “irresponsible” and a “fake singer,” while B‑Praak alluded to him “selling his conscience” in a cryptic social media post.
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Yet, individuals from the industry and politics defended Diljit. Filmmakers Javed Akhtar and Imtiaz Ali praised him as a true patriot and “son of the soil,” noting that the film was shot before tensions escalated. BJP’s RP Singh also came to his defense, calling him a “national asset” and condemned FWICE’s calls to revoke his citizenship. On the other side, Pakistani TV host Nadia Khan lauded Diljit’s courage for resisting pressure and prioritising artistic collaboration.
Ultimately, Sardaar Ji 3 stands at the crossroads of applause and outrage. Its success in Pakistan highlights Diljit’s international appeal, while the storm of criticism in India underscores the complex interplay of art and geopolitics in today’s environment.
